The book is a dialogue, debate, observation, discourse, fantasy. Kubla Khan, the emperor and Marco Polo, the explorer converse about fictitious cities, bringing into play, a multitude of observations, human experience entails. My first Calvino read, has inspired me to read more by him. Venice, that decaying heap of incomparable splendour, still stands as substantial evidence of man's ability to create something perfect out of chaos ― Times Literary Supplement So important for thinking about the rich layers of life around us, our frailties, how we question and how we find meaning. ![]() Each time he returns from his travels, Marco Polo is invited by Kublai Khan to describe the cities he has visited-Although he makes Marco Polo summon up many cities for the Khan's imagination to feed on, Calvino is describing only one city in this book. The book I would choose as pillow and plate, alone on a desert island Whole chapters of unforced poetic prose in which insight and fantasy are perfectly matched-an exquisite world ― Observer 'Invisible Cities is perhaps his most beautiful work-the artist seems to have made peace with the tension between man's ideas of the many and the one ― New York Review of Books The most beautiful of his books throws up ideas, allusions, and breathtaking imaginative insights on almost every page. Invisible Cities changed the way we read and what is possible in the balance between poetry and prose. Para obtener más información sobre cómo y para qué fines Amazon utiliza la información personal (como el historial de pedidos de Amazon Store), visita nuestro Aviso de privacidad. Para ello, visita Preferencias de cookies, tal y como se describe en el Aviso de cookies. Puedes cambiar de opinión en cualquier momento. Haz clic en “Personalizar cookies” para rechazar estas cookies, tomar decisiones más detalladas u obtener más información. Estos terceros utilizan cookies para mostrar y medir anuncios personalizados, generar información sobre la audiencia, y desarrollar y mejorar los productos. Esto incluye el uso de cookies propias y de terceros que almacenan o acceden a información estándar del dispositivo, como un identificador único. Si estás de acuerdo, también utilizaremos las cookies para complementar tu experiencia de compra en las tiendas de Amazon, tal y como se describe en nuestro Aviso de cookies. También utilizamos estas cookies para entender cómo utilizan los clientes nuestros servicios (por ejemplo, mediante la medición de las visitas al sitio web) con el fin de poder realizar mejoras. But the special quality of this city for the man who arrives there on a September evening, when the days are growing shorter and the multicoloured lamps are lighted all at once at the doors of the food stalls and from a terrace a woman's voice cries ooh!, is that he feels envy towards those who now believe they have once before lived an evening identical to this and who think they were happy, that time.Utilizamos cookies y herramientas similares que son necesarias para permitirte comprar, mejorar tus experiencias de compra y proporcionar nuestros servicios, según se detalla en nuestro Aviso de cookies. All these beauties will already be familiar to the visitor, who has seen them also in other cities. Leaving there and proceeding for three days towards the east, you reach Diomira, a city with sixty silver domes, bronze statues of all the gods, streets paved with lead, a crystal theatre, a golden cock that crows each morning on a tower. All the drawings are composed of layers of paper which are cut out and glued. They are not only drawn – I use different types of paper and draw on each one before cutting them out with exacto knives. ![]() According to Puente, who has shared six drawings with ArchDaily, "each illustration has a conceptual process, some of which take more time than others." Usually "I research, think, and ideate over each city for three weeks before making sketches." The final drawings and cut-outs take around a week to produce. The book, which imagines imaginary conversations between the (real-life) Venetian explorer Marco Polo and the aged Mongol ruler Kublai Khan has been instrumental in framing approaches to urban discourse and the form of the city. ![]() Lima-based architect Karina Puente has a personal project: to illustrate each and every "invisible" city from Italo Calvino's 1972 novel.
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